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Terminator is BACK at Propstore Entertainment Memorabilia Live Auction: Los Angeles 2022

Terminator is BACK at Propstore Entertainment Memorabilia Live Auction: Los Angeles 2022

Propstore, one of the world’s leading film and Television memorabilia companies, is set to hold their biggest auction to date this June, with the aptly titled “Entertainment Memorabilia Live Auction: Los Angeles 2022 – Treasures from Film and Television”, which features the return of the Terminator with some of the most impressive and unique items we’ve ever seen go to auction.
Present in the collection are some seriously iconic items from The Terminator (1984), Terminator 2: Judgment Day (1991), Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), and also the TV show Terminator: The Sarah Connor Chronicles (2008).

Chuck Costas – Propstore’s Vice President of Business Development & Marketing stated:

“This is one of the best selections of Terminator items Propstore has ever offered, including a hero metal Endo arm and screen-matched jacket from T1, a heavily distressed final scene T-800 jacket and T-1000 liquid metal costume from T2, a full-size T-850 stand-in puppet and full T-X costume with a light-up display from T3.  And, we have an impressive full light-up T-888 Endoskeleton from Terminator: The Sarah Connor Chronicles. You can build an amazing Terminator collection from this auction!”

Chuck Costas

Check out the following list of Terminator items that will be going under the hammer.

433. Hero Metal T-800 Endoskeleton Arm – The Terminator (1984)

A hero metal T-800 Endoskeleton arm from James Cameron’s sci-fi action film The Terminator. The cyborg assassin known as The Terminator (Arnold Schwarzenegger) was sent to Earth to kill Sarah Connor (Linda Hamilton). Later in the film, the T-800 emerged from a blazing tanker truck stripped of its “human” skin and resemblance, revealing its chrome endoskeleton.

This arm was part of a full-size, highly detailed puppet of the genocidal machine constructed by Stan Winston Studio, based on a design created by Cameron. A combination of this puppet and stop-motion animation was used to bring the robot to life during the climatic factory sequence. The eventual puppet was extremely heavy and caused difficulties for the puppeteering team, who operated the cable-controlled hands. Images and information about the puppet can be seen extensively in Cinefex number 21 magazine published in April 1985.

The arm is made of detailed vacuum-metalized aluminum components with metal nut and bolt-like detailing on each finger. Several thin operating cables run down from the fully articulated fingers. Presented on a custom display, the lot exhibits minor marks, and some of the joints have broken over time.

Dimensions: 5.25” x 5.5” x 18.5” (13 cm x 14 cm x 47 cm) Contains mechanical components; see notice in the Buyer’s Guide

Estimate. $20,000 – 30,000

434. T-800’s (Arnold Schwarzenegger) Screen-Matched M-65 Field Jacket – The Terminator (1984)  

The Terminator’s (Arnold Schwarzenegger) screen-matched M-65 jacket from James Cameron’s sci-fi action film The Terminator. The T-800, an advanced cyborg sent from the future to terminate Sarah Connor (Linda Hamilton), acquired his jacket from a street punk when he first arrived in 1984 Los Angeles. This exact jacket screen-matches to the TechNoir club scene after Kyle Reese (Michael Biehn) shoots the Terminator.  

This commercially produced gray cotton field jacket is modified with metal-studded leatherette components stitched throughout and decorative chains attached to the left shoulder. Leatherette is stitched to the collar interior and it is marked “Arnold” on the interior tag. The jacket is elaborately applied with stage blood and numerous bullet holes from Reese’s shotgun by production. Padding is inserted at the shoulders, and heavy nylon material inside the right sleeve is believed to be fire retardant added for the scene where the T-800 ran through fire while pursuing Reese and Connor.  

It exhibits intentional wear due to production use and age, with some fabric hardening where the stage blood has dried.  

Estimate. $20,000 – 30,000

1349. T-800 Chasing Sarah and Kyle Hand-drawn Storyboard – The Terminator (1984)

A hand-drawn storyboard from James Cameron’s sci-fi action film The Terminator. The page displays two drawings that show Sarah Connor (Linda Hamilton) and Kyle Reese (Michael Biehn) as they were pursued by the T-800 (Arnold Schwarzenegger). The artwork is rendered in pencil on tracing paper and is labeled “33” in red marker. Both storyboards feature arrows directing the action as it would appear in shot, and an annotation on the page reads “Frontal track slightly left to right.” The lot exhibits some marks present on the page.

Dimensions: (each sheet) 10.75” x 8.25” (27.5 cm x 21 cm) Sold without copyright; see copyright notice in the Buyer’s Guide.

Estimate. $1,500 – 2,500

1350.  Set of Two Hand-drawn Factory Sequence Storyboards Featuring  T-800 in Press – The Terminator (1984)

A set of two hand-drawn storyboards from James Cameron’s sci-fi action film The Terminator. Both pages depict moments from the climactic sequence in the factory, with one storyboard showing the  moment the T-800 (Arnold Schwarzenegger) was crushed within a hydraulic press controlled by Sarah  Connor (Linda Hamilton). The artwork is rendered in graphite pencil on tracing paper, and both sheets have been labeled “81” and “100” respectively in red marker. The sheet labeled “81” exhibits spots of discoloration.

Dimensions: (each sheet) 10.75” x 8.25” (27.5 cm x 21 cm) Sold without copyright; see copyright notice in the Buyer’s Guide. 

Estimate. $1,500 – 2,500   

1351.  T-800 Head Hand-drawn Storyboard – The Terminator (1984) 

A hand-drawn storyboard from James Cameron’s sci-fi action film The Terminator. This storyboard shows a close-up drawing of the T-800’s (Arnold Schwarzenegger) head, the advanced cyborg killing machine whose sole mission was to kill Sarah Connor (Linda Hamilton). The artwork is rendered in graphite pencil, ink, and charcoal on tracing paper. It is labeled “94” in red marker, and the text “R to L” is written on the back of the sheet. The storyboard exhibits fingerprints from pencil work and handling during production.

Dimensions: (each sheet) 10.75” x 8.25” (27.5 cm x 21 cm) Sold without copyright; see copyright notice in the Buyer’s Guide. 

Estimate. $1,500 – 2,500

1352.  Set of Printed Future War Storyboards (33 – 44) – The Death of Corporal Ferro – The Terminator (1984)

Printed future war storyboards from the production of James Cameron’s sci-fi film The Terminator. In the film, Kyle Reese (Michael Biehn) had a nightmare of the future war between Skynet and the human resistance. This set consists of five pages of storyboards numbered “33” through “44” and printed in blue, black, and  red ink by production for distribution amongst the departments. One page is also marked with red stars and dashes. The set exhibits yellowing from age, as well as tape marks and creasing in the corners.

Dimensions (each): 8.5” x 14” (21.75 cm x 35.75 cm) 

Estimate. $800 – 1,200

1353. Set of Printed Future War Storyboards (23 – 32) – The Terminator (1984)

Printed future war storyboards from the production of James Cameron’s sci-fi film The Terminator. In the film, Kyle Reese (Michael Biehn) had a nightmare of the future war between Skynet and the human resistance. This set consists of four pages of storyboards numbered “23” through “32” and printed in blue, black, and red ink by production for distribution amongst the departments. Two of the four pages are also marked with red stars. The pages exhibit yellowing from age, as well as tape marks and creasing in the corners.

Dimensions (each): 8.5” x 14” (21.75 cm x 35.75 cm)

Estimate. $600 – 800

435. T-800’s (Arnold Schwarzenegger) Final Scene Jacket Terminator 2: Judgment Day (1991)

T-800’s (Arnold Schwarzenegger) final scene jacket from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day. After destroying the T-1000 (Robert Patrick) terminator, the T-800 was lowered into a vat of molten steel by Sarah Connor (Linda Hamilton) to prevent his computer chip from falling into the wrong hands. This jacket was originally used on a full-size T-800 puppet for shots of the T-800 being lowered into the molten steel.

This jacket is made of thick black leather, with three zipped pockets and one popper pocket on the front. It features a black lining with purple vents attached to the bottom with squares of Velcro, which was done with many of the Terminator 2 jackets in case the crew needed to install squibs. It is fastened with a zip closure down the middle of the garment and has vents threaded with leather laces at each side, running from hip to armpit. It exhibits extensive production-made wear and damage, including bullet holes throughout, staining, a missing section of the left sleeve, and hardening of the leather caused by its submersion in the SFX liquid.

Estimate. $18,000 – 22,000

436. T-1000’s (Robert Patrick) Liquid Metal Police Uniform, Jacket, and Hairpiece Terminator 2: Judgment Day (1991)

T-1000’s (Robert Patrick) liquid metal police uniform, jacket, and hairpiece from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day. The T-1000 morphed into and out of various appearances, transitioning into a liquid metal version of itself throughout the film.

All of the components in this lot are painted chrome by production to appear metallic. The lot consists of a production-made T-1000 bust mounted to a foam base and affixed with a plastic shell hairpiece; a plastic and nylon long-sleeve jacket marked “P” on the interior with matching pants; a white cotton undershirt with a silver-color collar; a pair of hand-shaped rubber gloves; a non-functional digital watch; a leather belt with four belt keepers; a leather handcuff case; a leather magazine pouch; a leather radio pouch; a leather and metal key chain belt clip; a leather and metal baton holder; and leather shoes with raised rubber heels.

The foam head has had minor sympathetic restoration and sealing to cracks. The lot exhibits signs of production wear and age throughout, including scratching to the jacket and pants, paint chipping, cracked leather, and crumbling foam.

Estimate. $20,000 – 30,000

437. The Terminator’s (Arnold Schwarzenegger) Endoskeleton Facial Appliance Terminator 2: Judgment Day (1991)

The Terminator’s (Arnold Schwarzenegger) endoskeleton facial appliance from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day. A shootout during the escape from the Cyberdyne building left the living tissue covering the Terminator’s face damaged, exposing the metal endoskeleton underneath.

This lot consists of a white plaster casting of Schwarzenegger’s face with a small metal loop in the back and a silver-color foam facial appliance adhered to the front, simulating an exposed portion of the Terminator’s metal endoskeleton. Also included is a black plastic framed display featuring the film’s title logo, an image from the film, and two behind-the-scenes- images. The facial appliance exhibits some cracking, paint wear, and red staining throughout from the application of stage blood; the frame exhibits some wear from handling.

Dimensions: (casting with appliance) 11.5” x 6” x 5” (29.25 cm x 15.25 cm x 12.75 cm); (frame) 8” x 10” x 0.5” (20.5 cm x 25.5 cm x 1.5 cm)

Estimate. $4,000 – 6,000

438. The Terminator’s (Arnold Schwarzenegger) Battle-Damaged Chest Appliance Terminator 2: Judgment Day (1990)

The Terminator’s (Arnold Schwarzenegger) battle-damaged chest appliance from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day. The T-800 sustained significant damage during the attack on Cyberdyne and when he confronted the T-1000 (Robert Patrick) at the steel mill.

This appliance was designed, sculpted, and hand-painted to be worn under a shirt to simulate damaged and bloodied skin with exposed portions of metal endoskeleton. It features charred and bloodied foam latex skin, a dense urethane endoskeleton painted silver-color, and black nylon and elastic straps with a fastening strip closure. Following production, this appliance underwent sympathetic restoration to seal and reattach broken foam latex. It still exhibits significant cracking, stiffness, and stains on the straps from production use and age.

Dimensions: 14.5” x 12” x 3” (37 cm x 30.5 cm x 7.75 cm)

Estimate. $3,000 – 5,000

439. T-1000’s (Robert Patrick) Bullet-hit Zip-up LAPD Shirt Terminator 2: Judgment Day (1991)

T-1000’s (Robert Patrick) bullet-ridden zip-up LAPD shirt from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day.

The T-1000 wore its shirt during the asylum sequence as it fastened itself to the back of a police car containing The Terminator (Arnold Schwarzenegger), Sarah Connor (Linda Hamilton) and her son John (Edward Furlong). The Terminator and Sarah both shot it with their shotgun and pistol respectively, punching holes in the T-1000’s liquid-metal body.

This navy polyester-blend zip-up shirt with decorative buttons is based on a police uniform. It features 15 silver-color foam-latex bullet holes on the front and three on the back. It exhibits paint wear and signs of deterioration on the foam latex bullet marks.

Estimate. $8,000 – 12,000

440. Robert Patrick-Autographed T-1000 Picture and Hook Display Terminator 2: Judgment Day (1991)

A displayed Robert Patrick-autographed T-1000 picture and hook from James Cameron’s sci-fi action sequel Terminator 2: Judgment Day. The T-1000 used his hooks to latch onto the car containing the Connors, only to be shot off by the Terminator (Arnold Schwarzenegger).

This lot consists of a metallized resin hook with a chrome-like finish, an autographed black-and-white photograph of Robert Patrick as the T-1000, and an information plaque with the film’s title logo mounted inside of a black and silvercolor wood and glass frame with a black mat. The hook is permanently affixed to the frame and is not removable. Both the hook and frame exhibit paint chipping.

Dimensions: 33” x 17” x 3” (84 cm x 43.25 cm x 7.75 cm)

Estimate. $4,000 – 6,000

441. T-800 Endoskeleton Knee Terminator 2: Judgment Day (1991)

A T-800 endoskeleton knee from James Cameron’s sci-fi sequel Terminator 2: Judgment Day. In the year 2029, Skynet’s T-800 Terminators worked to exterminate what remained of the human resistance in post-Judgment Day Los Angeles.

This knee is made of hard rubber applied with a chrome finish and black distressing added around the edges for detail. The knee comes in two sections attached with black elastic ribbon to allow for bending. Four bands of elastic ribbon are attached with fastening strip closures along the back of the knee to secure to a performer. This T-800 knee exhibits paint flaking, red staining, and yellowing to the fastening strips from production wear and age.

Dimensions: 19” x 4” x 4.5” (48.5 cm x 10.25 cm x 11.5 cm)

Estimate. $4,000 – 6,000

442. Terminator’s (Arnold Schwarzenegger) Battle-Damaged Arm and Glove

Terminator 3: Rise Of The Machines (2003) Terminator’s (Arnold Schwarzenegger) battle-damaged arm and glove from Jonathan Mostow’s sci-fi action sequel Terminator 3: Rise of the Machines. Terminator’s internal mechanics were increasingly exposed as he protected John Connor (Nick Stahl) and Kate Brewster (Claire Danes) from the T-X (Kristanna Loken).

This lot consists of a forearm constructed of cast vinyl by Stan Winston Studio and painted to resemble battle-damaged flesh with a protruding machine skeleton; a brown leather glove extensively battle-damaged to reveal vinyl flesh and metal-color bits underneath; and a black lycra arm sleeve for attaching the arm prosthetic. It has been sympathetically stabilized around foam to prevent curling from age, but still exhibits cracking around the leather fingertips and loose threads from production use and age.

Dimensions: 14” x 8” x 3” (35.75 cm x 20.5 cm x 7.75 cm)

Estimate. $5,000 – 7,000

442B. T-X’s (Kristanna Loken) Costume with Light-Up Display Terminator 3: Rise Of The Machines (2003)

TX’s (Kristanna Loken) costume with light-up display from Johnathan Mostow’s sci-fi action sequel Terminator 3: Rise of the Machines. A cyborg assassin from the future, the TX wore the costume she acquired from an innocent bystander on her mission to kill John Connor (Nick Stahl).

The outfit, designed by April Ferry, was featured in the film’s promotion and was seen throughout the movie. It consists of a burgundy jacket and pants made from a crocodile-textured faux leather; a purple nylon mesh leotard, and brown leather boots with silver-color high heels. It is presented on a fiberglass fleshtone mannequin with foam padded accents and a metal and resin head with facial features and wiring. The facial features can illuminate via a power plug on the back. It exhibits extensive wear to the foam elements and cracking to the head.

Dimensions (on mannequin): 10” x 26” x 70” (28.5 cm x 66 cm x 178 cm) Contains electronics; see notice in the Buyer’s Guide. Special shipping required; see notice in the Buyer’s Guide.

Estimate. $12,000 – 16,000

443. Terminator (Arnold Schwarzenegger) T-850 Series Model 101 Full-Sized Stand-In Puppet Terminator 3: Rise Of The Machines (2003)

A Terminator (Arnold Schwarzenegger) T-850 Series model 101 full-size standin puppet from Jonathan Mostow’s sci-fi action sequel Terminator 3: Rise of the Machines. After crashing a helicopter into the TX (Kristanna Loken) to stop it from reaching John Connor (Nick Stahl), The Terminator emerged from the wreckage with significant damage before sacrificing itself to save Connor’s life.

Created by Stan Winston, this stand-in puppet was created to be used in rehearsal and stand-in shots for Schwarzenegger while the actor was undergoing the lengthy make-up process.

This full-size puppet consists of a silver-colored metal, resin and rubber endoskeleton affixed in several areas with silicone skin and bloody flesh accents. The outermost layer of the statue features extensively damaged sections of the Terminator’s signature wardrobe, including a black leather jacket; a cotton shirt, a black leather glove; black leather pants; a black leather belt and a black leather boot. The fully-detailed silicone head features faux hair and a large section of exposed endoskeleton on one side.

The head and torso are packed in the interior with extensive untested cablecontrolled mechanisms which are exposed on the back as well as a metal rod which sets it on a black wooden base. It exhibits signs of wear from age and use on the silicone elements.

Dimensions: 30” x 28” x 72” (76.25 cm x 71.25 cm x 183 cm) Contains electronics; see notice in the Buyer’s Guide. Special shipping required; see notice in the Buyer’s Guide.

Estimate. $40,000 – 60,000

444. The Terminator’s (Arnold Schwarzenegger) Costume Terminator 3: Rise Of The Machines (2003)

The Terminator’s (Arnold Schwarzenegger) costume from Jonathan Mostow’s sci-fi action sequel Terminator 3: Rise of the Machines. The Terminator wore his signature costume throughout the film. The garments became steadily more distressed as the story progressed, most notably after the police shoot-out sequence in the cemetery when Terminator carried John Connor (Nick Stahl) to safety in a coffin.

The costume is comprised of a black leather motorcycle jacket and pants; a gray cotton T-shirt; black gloves; and black replica sunglasses. The jacket features padding on the arms and across the shoulders, a full-zip front fastening, four pockets and a belt. Also stitched to the interior is the embroidered text “A.S.T3 -13.” Some of the components exhibit production-added distressing, with the jacket showing a number of bullet holes and the T-shirt showing holes on the front and back.

Estimate. $12,000 – 16,000

1354. John Connor’s (Christian Bale) Stunt M4 Carbine with M26 MASS Terminator Salvation (2009)

John Connor’s (Christian Bale) stunt M4 carbine with M26 MASS from McG’s sci-fi action sequel Terminator: Salvation. Military commander Connor wielded his weapon as he infiltrated the Skynet factory and battled T-800 models. This stunt firearm is made out of dense rubber. It features a pistol grip, two separate magazines and picatinny rail, as well as C-More style sights. Cast from a real life counterpart, this prop firearm features manufacture markings on the sides of the weapon as well as a pair of metal accents by the toe and takedown pin. It exhibits minor scuffing and signs of wear throughout.

Dimensions: 10” x 10” x 48” (25.5 cm x 25.25 cm x 122 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer’s Guide.

Estimate. $2,000 – 3,000  

1355. John Connor’s (Christian Bale) Final Battle Costume Terminator 4: Salvation (2009)

John Connor’s (Christian Bale) final battle costume from McG’s sci-fi action film Terminator Salvation. Connor wore his costume during the final battle at the Skynet facility where he faced off against a T-800 terminator (Arnold Schwarzenegger). This costume consists of one nylon, rubber, plastic, and metal black tactical vest with a buckled front; one dark green cotton-blend jacket with a red arm band; one cotton undershirt; and a pair of gray cotton-blend cargo pants with white rubber knee pads. The costume has been intentionally distressed by production and exhibits frayed edges, torn holes, and blood stains throughout.

Estimate. $4,000 – 6,000  

445. Light-Up Battle-Damaged T-888 Endoskeleton Terminator: The Sarah Connor Chronicles (T.V. Series, 2008)

A light-up battle-damaged T-888 endoskeleton from the sci-fi action series Terminator: The Sarah Connor Chronicles. In the Season 1 episode “Dungeons & Dragons,” T-900 model Terminator Cameron (Summer Glau) deactivated and used thermite to destroy the body of a T-888 model to prevent its parts from being used to change the future.

This endoskeleton is primarily made of chrome-plated resin, with steel and aluminum components. An internal support armature is located in the torso and engineered into some of the limbs. The appendages each feature several points of articulation, including swiveling elements on the arms. The head is complete with resin teeth, a movable jaw and red illuminating eyes powered by an included power supply box with a dimmer. The lot exhibits intentional distressing to create a battle-damaged appearance, including a missing hand, both feet and several other detached or missing decorative accents throughout, several of which are included separately.

Dimensions: 76” x 23” x 20” (193 cm x 58.5 cm x 51 cm)

Special shipping required; see special shipping notice in the Buyer’s Guide. Contains electronics; see notice in the Buyer’s Guide.

Estimate. $15,000 – 20,000  

The Propstore auction runs June 21 – June 24 (2022). You can take a closer look at the auction by clicking here to visit PropstoreAuction.com

Have any of the items made it onto your wish list? Will you be making a bid at the auction?

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